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Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**
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Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**

Seeing ThingsVirtual Aesthetics in Victorian Culture

Author(s): Amanda Shubert

Format: Paperback

Publisher: Cornell University Press, United States

Imprint: Cornell University Press

ISBN-13: 9781501784941, 978-1501784941

Synopsis

A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a new virtual aesthetics an understanding of visual and perceptual encounters with things that are not really there.

The popularization of Victorian optical media redefined visuality as a rational mode of spectatorship that taught audiences to distinguish illusion from reality. As an aesthetic expression of a civilizational ideal that defined the capacity to see but not believe, to be entertained without b.

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Seeing Things: Virtual Aesthetics in Victorian Culture. Shubert, Shube PB**

Seeing ThingsVirtual Aesthetics in Victorian Culture

Author(s): Amanda Shubert

Format: Paperback

Publisher: Cornell University Press, United States

Imprint: Cornell University Press

ISBN-13: 9781501784941, 978-1501784941

Synopsis

A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a new virtual aesthetics an understanding of visual and perceptual encounters with things that are not really there.

The popularization of Victorian optical media redefined visuality as a rational mode of spectatorship that taught audiences to distinguish illusion from reality. As an aesthetic expression of a civilizational ideal that defined the capacity to see but not believe, to be entertained without b.

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ÂŁ23.78

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Product Description

Seeing ThingsVirtual Aesthetics in Victorian Culture

Author(s): Amanda Shubert

Format: Paperback

Publisher: Cornell University Press, United States

Imprint: Cornell University Press

ISBN-13: 9781501784941, 978-1501784941

Synopsis

A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a new virtual aesthetics an understanding of visual and perceptual encounters with things that are not really there.

The popularization of Victorian optical media redefined visuality as a rational mode of spectatorship that taught audiences to distinguish illusion from reality. As an aesthetic expression of a civilizational ideal that defined the capacity to see but not believe, to be entertained without b.

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format

trade paperback

Language

english

Brand

Cornell University Press

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book

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